Iceland in 16 Days: Day 15, Brúarfoss Waterfall – Golden Circle

Feature Image Details: Canon 100-400 MM F 4.5-5.6 L Lens at 112MM, F/13, for 13 seconds at ISO 100.

Photography tours often speak of  “secret waterfalls” or secret places. This is one of those locations. Brúarfoss is difficult to find, even with instructions. I would not have found it, or even heard of it without instructions.

For instructions please refer to my Iceland Guide

Planning a Trip to Iceland.

We planned our trip starting with an eBook Forever Light: Landscape Photographers Guide to Iceland.

If you are planning a trip to Iceland, get the book.

Forever Light gives instructions to Brúarfoss. Now that you have the name, you can likely find instructions elsewhere, but the book is well worth it regardless. Note: I had the first edition. The above links to the revised edition.

We found the spot on our first attempt, using the second of the two ways noted in the eBook. When we arrived at the designated parking spot, it did not look as described. The parking are was on the left, not the right. When I stopped to ponder the situation, I saw some people off in the distance walking. I presumed they were headed to the falls and parked.

To the Forever Light instructions, I will add there was a fence on our right and we followed a very narrow rutted path (one shoe wide) to a the main trail that we had to hop a fence to get to. Thereafter, we just followed the trail.

You come out of the tail into an opening and a bridge over the river. Remember the spot or you might take the wrong trail back. This sounds more difficult than it was, and reading the instructions again now, I am not sure I would have tried.

The book cautions that no one found the location on their first try, but we did, without a Garmin. We went once during the day, then returned for sunset. From where we parked, the waterfall was 20 minutes or so away. The makeshift trail and the main trail were both level. The hard part is making up your mind to try.

Brúarfoss Images Getting Cold and Wet

The above image was taken mid-afternoon in the stream beneath the bridge. Yes, I got wet. Yes, it was cold.

The following images were taken at sunset, standing on the bridge over the river. Beware of vibrations. It is very difficult to get sharp images if anyone else is on the bridge.

You cannot get these shots, if people are walking on the bridge. Even 1 second images will be ruined if people are walking about.

The water really does look blue. The color is different mid-day than at sunset.

It was about midnight when we took the sunset images. We were 20 minutes away from the car, with perhaps 90 minutes to get back to the hotel, with 10:30 AM flight. Nonetheless, my wife Liz volunteered to stay for sunrise. I wanted to, but I had a nagging feeling it was best to go back to Reykavik.

have learned it is best not to fight strong intuitions. So, off to bed, or so I thought, as explained in my next post.

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Next Up: Reykavik Sun Voyager Statue

Mike “Mish” Shedlock

Iceland in 16 Days: Day 15, Gullfoss Waterfall, Golden Circle

After a good night’s sleep in Reykavik, one of about three good sleeps for the entire trip, we set off for a tour of the “Golden Circle”.

It was cloudy when we set out, and stayed cloudy most of the time. We went to see the geysers at Geysir, and had lunch there. Geysir was overloaded with tourists. Masses of buses  constantly came an went. Mid-day is not a great time for photography, and crowds made it worse.

Still, Geysir is worth seeing, especially in good light at off-peak hours. Good conditions were not to be on this trip so we headed off to nearby Gullfoss.

When we arrived it was still overcast, but a scan of the horizon suggested the clouds might break if we simply waited it out. That took a couple of hours and these are the results.

Feature Image Details: Canon 16-35MM F4 L Lens at 35MM, F/16, ISO 100 for 1/2 second.


Once again, spray was a huge problem. Carry lens wipes.

Shooting Tips

I like to take vertical and horizontal images of the same scene. If you have hopes of magazine covers, it’s best to consider vertical images. Here are some of my Magazine and Book Cover Credits.

Also consider people. Do you want them in or out. Here is the same image, two ways, with and without people.

The only difference in the above images is people. The first image has them, the second doesn’t. The people did not move. Rather, I edited them out in Photoshop, via a bridge from Lightroom.

Photoshop tools are much better at editing out distractions than Lightroom. Most often I use Photoshop’s clone align feature. Lightroom has nothing similar. At times, especially for small spot corrections, Lightroom is easier.

Both programs compliment each other nicely, but it’s irritating having to learn two products and two sets of commands.

Forced to make a choice between Lightroom and Photoshop, I would choose the former. Lightroom’s catalog and library functions are essential.

Pretty soon it may be impossible to make a choice. Adobe wants subscribers to “Creative Cloud” and bundles all of its programs in that package.

Human Interest

Travel magazines generally like human interest. People also add a sense of scale. But calendar companies most likely do not want people in the images.

If shooting and editing for yourself, simply shoot and edit what you like.

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Next Up: Brúarfoss Waterfall, Golden Circle

Mike “Mish” Shedlock